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Bibliography
Bibliography

Revision as of 15:57, 8 December 2021

Main

Bibliography

Jean-Marie Adrien, “The missing link: Modal synthesis.” In Giovanni De Poli, Aldo Piccialli, and Curtis Roads, Eds., Representations of Musical Signals, pp. 269–297. MIT Press, Cambridge, MA, 1991.

Federico Avanzini, Stefania Serafin, and Davide Rocchesso, “Interactive simulation of rigid body interaction with friction-induced sound generation.” IEEE Transactions on Audio, Speech, and Language Processing 13.6 (November 2005): 1073–1081.

Balázs Bank, Stefano Zambon, and Federico Fontana, “A modal-based real-time piano synthesizer.” IEEE Transactions on Audio, Speech, and Language Processing 18.4 (2010): 809–821.

Stefan Bilbao, Wave and Scattering Methods for Numerical Simulation. John Wiley & Sons, Hoboken, NJ, 2004.

Harald Bode, “A new tool for the exploration of unknown electronic music instrument performances.” Journal of the Audio Engineering Society 9 (October 1961): 264.

Harald Bode, “History of electronic sound modification.” Journal of the Audio Engineering Society 32.10 (1984): 730–739.

Jonathan Boilard, Philippe Gournay, and Roch Lefebvre, “A literature review of WaveNet: Theory, application, and optimization.” In Audio Engineering Society Convention 146, Dublin, Ireland, 2019.

Gianpaolo Borin, Giovanni De Poli, and Davide Rocchesso, “Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems”, IEEE Transactions on Speech and Audio Processing 8.5 (September 2000): 597–605.

E. Brandt, “Hard sync without aliasing.” In Proceedings of International Computer Music Conference (ICMC), Havana, Cuba, 2001, pp. 365–368.

Øyvind Brandtsegg, Sigurd Saue, and Victor Lazzarini, “Live convolution with time-varying filters.” Applied Sciences 8.1 (2018).

Dave Burraston and Ernest Edmonds, “Cellular automata in generative electronic music and sonic art: A historical and technical review.” Digital Creativity 16.3 (2005): 165–185.

Juan José Burred, “A framework for music analysis/resynthesis based on matrix factorization.” In The Proceedings of the International Computer Music Conference, Athens, Greece, 2014, pp. 1320–1325.

Hal Chamberlin, Musical Applications of Microprocessors. Hayden Book Company, Indianapolis, IN, 1985.

John Chowning, “The synthesis of complex audio spectra by means of frequency modulation.” Journal of the Audio Engineering Society 21.7 (1973): 526–534.

Perry R. Cook, “Physically informed sonic modeling (PhISM): Synthesis of percussive sounds.” Computer Music Journal 21.3 (1997): 38–49.

James W. Cooley and John W. Tukey, “An algorithm for the machine calculation of complex Fourier series.” Mathematics of Computation 19.90 (1965): 297–301.

Stefano D’Angelo, Virtual Analog Modeling of Nonlinear Musical Circuits. PhD thesis, Aalto University, Espoo, Finland, November 2014.

Stefano D’Angelo, Leonardo Gabrielli, and Luca Turchet, “Fast approximation of the Lambert W Function for virtual analog modeling.” In Proc. DAFx, Birmingham, UK, 2019.

Jon Dattorro, “Effect design – Part 1: Reverberator and other filters.” Journal of the Audio Engineering Society 45.9 (1997a): 660–684.

Jon Dattorro, “Effect design – Part 2: Delay-line modulation and chorus.” Journal of the Audio Engineering Society 45.10 (1997b): 764–788.

Jon Dattorro, “Effect design – Part 3: Oscillators – sinusoidal and pseudonoise.” Journal of the Audio Engineering Society 50.3 (2002): 115–146.

Giovanni de Sanctis and Augusto Sarti, “Virtual analog modeling in the wave-digital domain.” IEEE Transactions on Audio, Speech, and Language Processing 18.4 (May 2010): 715–727.

Paolo Donati and Ettore Paccetti, C’erano una volta nove oscillatori: lo studio di Fonologia della RAI di Milano nello sviluppo della nuova musica in Italia. RAI Teche, Rome, 2002.

Jesse Engel, Cinjon Resnick, Adam Roberts, Sander Dieleman, Mohammad Norouzi, Douglas Eck, and Karen Simonyan, “Neural audio synthesis of musical notes with WaveNet autoencoders.” In Proceeding of the 34th International Conference on Machine Learning (ICML17) – Volume 70, Sydney, NSW, Australia, 2017, pp. 1068–1077.

Fabián Esqueda, Henri Pontynen, Julian Parker, and Stefan Bilbao, “Virtual analog model of the Lockhart wavefolder.” In Proceedings of the Sound and Music Computing Conference (SMC), Espoo, Finland, 2017, pp. 336–342.

Fabián Esqueda, Vesa Välimäki, and Stefan Bilbao, “Rounding corners with BLAMP.” In Proceedings of the 19th International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 5–9 September 2016, pp. 121–128.

Antoine Falaize-Skrzek and Thomas Hélie, “Simulation of an analog circuit of a wah pedal: A Port-Hamiltonian approach.” In Proceedings of 135th AES Convention, New York, October 2013.

Agner Fog, Optimization Manuals, Chapter 4: “Instruction tables.” Technical report, 2018, available online at: www.agner.org/optimize/instruction_tables.pdf (last accessed 4 November 2018).

Federico Fontana, “Interactive sound synthesis by the Lotka-Volterra population model.” In Proceedings of the 19th Colloquium on Music Informatics, Trieste, Italy, 2012.

Gene F. Franklin, J. David Powell, and Abbas Emami-Naeini, Feedback Control of Dynamic Systems, 7th Edition, Pearson, London, 2015.

Dennis Gabor, “Theory of communication – Part 1: The analysis of information.” The Journal of the Institution of Electrical Engineers 93.26 (1946): 429–441.

Dennis Gabor, “Acoustical quanta and the theory of hearing.” Nature 159.4044 (1947): 591–594.

L. Gabrielli, M. Giobbi, S. Squartini, and V. Välimäki, “A nonlinear second-order digital oscillator for virtual acoustic feedback.” In 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Florence, 2014, pp. 7485–7489.

Leonardo Gabrielli, Carmine E. Cella, Fabio Vesperini, Diego Droghini, Emanuele Principi, and Stefano Squartini, “Deep learning for timbre modification and transfer: An evaluation study.” In Audio Engineering Society Convention 144, Milan, Italy, 2018.

Leonardo Gabrielli and Stefano Squartini, “Ibrida: A new DWT-domain sound hybridization tool.” In AES 45th International Conference, Helsinki, Finland, 2012.

Leonardo Gabrielli, and Stefano Squartini, Wireless Networked Music Performance, Springer, New York, 2016.

David Goldberg, “What every computer scientist should know about floating-point arithmetic.” ACM Computing Surveys (CSUR) 23.1 (1991): 5–48.

Geoffrey Gormond, Fabián Esqueda, Henri Pöntynen, and Julian D. Parker, “Waveshaping with Norton amplifiers: Modeling the Serge triple waveshaper.” In International Conference on Digital Audio Effects, Aveiro, Portugal, 2018, pp. 288–295.

Aki Härmä, “Implementation of recursive filters having delay free loops.” In Proc. Intl. Conf. Acoust., Speech, and Signal Process. (ICASSP 1998), vol. 3, Seattle, WA, May 1998, pp. 1261–1264.

David H. Howard and Jamie A.S. Angus, Acoustics and Psychoacoustics, 5th Edition, Focal Press, Waltham, MA, 2017.

Jari Kleimola, Victor Lazzarini, Joseph Timoney, and Vesa Välimäki, “Vector phaseshaping synthesis.” In The Proceedings of the 14th Int. Conference on Digital Audio Effects (DAFx-11), Paris, France, September 2011a.

Jari Kleimola, Victor Lazzarini, Vesa Välimäki, and Joseph Timoney, “Feedback amplitude modulation synthesis.” EURASIP Journal on Advances in Signal Processing (2011b).

Donald E. Knuth, “Structured programming with go to statements.” ACM Computing Surveys (CSUR) 6.4 (1974): 261–301.

Victor Lazzarini, “Supporting an object-oriented approach to unit generator development: The Csound Plugin Opcode Framework.” Applied Sciences 7.10 (2017).

Claude Lindquist, Adaptive and Digital Signal Processing. Steward & Sons, 1989.

Chien-Hung Liu and Chuan-Kang Ting, “Computational intelligence in music composition: A survey”. IEEE Transactions on Emerging Topics in Computational Intelligence 1.1 (February 2017): 2–15.