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...[[ar:]] [[id:]] [[ms:]] [[bn:]] [[bs:]] [[bg:]] [[ca:]] [[cs:]] [[da:]] [[de:]] [[et:]] [[el:]] [[es:]] [[eo:]] [[eu:]] [[fa:]] [[fr:]] [[gl:]] [[ko:]]

<li>{{Wikipedia languages/core|de}}</li>

De Facto Standard for sync and note info transport

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Jean-Marie Adrien, “The missing link: Modal synthesis.” In Giovanni De Poli, Aldo Piccialli, and Curtis Roads, Eds., Representations of Musical Si Gianpaolo Borin, Giovanni De Poli, and Davide Rocchesso, “Elimination of delay-free loops in discrete-

...chtenstein (.li) and Switzerland (.ch) still redirect to the German site (.de) with special settings, so don't maintain local ASINs for them)

...nd and concentrating on generation and composition, and to a lesser extend de-mixing and audio restoration.

...tomatic internal conversion for data format, channel number compensation, (de)interleaving, and byte-swapping

Apply Compact Disc (IEC 60908) de-emphasis (a treble attenuation shelving filter). ...d rives have it; playing pre-emphasised audio without the correct de-emphasis filter results in audio that

and its associated name 'Chavacano de Zamboanga' (MediaWiki does not support |language= parameter. For example, if |language=Chavacano de Zamboanga, that name

The DAW then takes this data and de-interleaves it, placing each channel in its own buffer called the input cha "mailto:info@steinberg.de")

The Paris studio was employed by the Groupe de Recherches Musicales, which featured pioneers Pierre Schaeffer, Pierre Henr